Message
DIMITRI ATABEKOV
Founder of the FUTURITY agency (digital strategies and media production) and creator of the ATOM project ecosystem.
My focus is on unique, meaningful projects where the result matters.

I combine years of practical experience in digital marketing, development, and multimedia production.

I take full charge of project management:
from architecture and digital pipeline creation to production and market launch.
DIMITRI ATABEKOV
Founder of the FUTURITY agency (digital strategies and media production) and creator of the ATOM project ecosystem.
My focus is on unique, meaningful projects where the result matters.

I combine years of practical experience in digital marketing, development, and multimedia production.

I take full charge of project management:
from architecture and digital pipeline creation to production and market launch.
Selected Case Studies and Areas of Activity
Media production:
Idea → Previs → Filming → Editing
Filming, editing, color grading, sound design, motion graphics.
Post-production showreel
Editing and audiovisual design: color, sound, graphics, animation.
Color correction of the source footage
All shades of white: from blue/green to yellow/white.
Post-production (editing + color)
Editing according to Kuleshov's rules (shot size, movement, direction).
Dodge Charger
90% fidelity of the filmed material to the original John Wick film.
Ghostwriter
A short, silent, black-and-white noir film in slow motion, set to jazz.
Teaser for the FROM meat restaurant
Editing a commercial for MaxBro + backstage shooting (content series).
360-Degree Post-Production for an Auto Vlogger
Full cycle of creating blog packaging (splash screen, editing, sound design).
Presentation of cinema equipment
Video editing for Scalca Cablecam.

From Marketing to Storytelling

Marketing → Directing → Content

A marketing mindset — specifically the Jobs-to-Be-Done (JTBD) framework — has become the foundation of my directorial approach to media creation.

I work with visuals and sound and also with narrative, semantics, and information delivery structures (such as AIDA and PMPSA) — spanning the entire process from initial concept to final on-screen realization.

WHAT I DO
Three Stages of Content
PRE-PRODUCTION
Pitch package: logline, storyboards
— Idea → Key Points
— Key Points → Logline
— Synopsis
— Director’s Treatment (explication)
— Storyboards
— Cinematic / Animatic / Blocking
Fill Brief
PRODUCTION
Budget and contract: a shoot
— On-set work in operational and supervisory roles
— Logistics
— Budgeting/Estimates
— Contracts
— DIT and archiving
Calculate Budget
POST-PRODUCTION
Master files: rights and archiving
— Editing
— Text and titles
— Graphics and animation
— ​​Audio
— Licenses
— Master files
Get Master File
FOR WHOM
Three formats of cooperation
To fellow solo creatives:
cinematographers, film editors
Have you finished shooting, but find that editing, color grading, and sound design are eating up time you’d rather spend on your next project?

I can handle your entire post-production workflow — or just specific parts — whether it’s multi-camera editing, promos, or event coverage.

I’m also available to join your shoot as a second camera operator. I always meet deadlines, with 24-hour turnaround available if needed.
Partnership & Collaboration
For production studios:
marketing, creative, management
Need an extra pair of hands for a busy project, or a reliable, long-term partner for editing?

I can step in for a specific task or manage your entire post-production process — from editing, color grading, and sound design to motion graphics, titles, final master files, and archiving.

I speak the industry language, adapt seamlessly to your existing pipelines, and deliver work that requires minimal revisions.
Discuss Tasks
Corporate shoots:
turnkey 360-degree production
Need video content for your business — such as a presentation, a live stream, a brand film, or a video series?

I handle both the filming and the editing, bringing in additional camera operators or drone pilots as required by the project.

You’ll receive a clear contract, transparent timelines, and final master files with all usage rights properly secured.
Fill Brief

HOW I WORK

Task → Filming → Editing

I start by clarifying the objective and the target audience, then shoot and gather the material, finalize the master files, and hand them over along with the licenses and the archive. A single person is responsible for the outcome at every stage, so you don’t have to coordinate multiple contractors.


From the brief to the final file.

5 VARIABLES
What makes up each project: diagnosing the task, the audience, the methodology, the tools, and the principles guiding my decision-making.
DIAGNOSTICS
1. WHAT ISSUES DO PEOPLE COME TO ME WITH?
  • Chaos at the start of a project
    You have a great idea or product but lack a clear picture of how to package, launch, and monetize it.
  • The issue with contractors
    You don’t want to hire a disjointed team of five and waste time dealing with miscommunication between the coder, videographer, and marketer.
  • A process leader is needed.
    We need someone who will take full control of the process, quality, and deadlines, rather than simply executing the technical specifications.
TARGET AUDIENCE
2. WHO IS THIS APPROACH FOR?
  • Experts and Leaders
    Package the experience into a reputable media brand without having to hire and manage 10 disparate freelancers.
  • Founders and IT Projects
    Quickly launch a website, build marketing, shoot presentation videos and package meanings in a single style.
  • Premium Business
    For those who value depth, modern aesthetics, high-quality pictures, original sound and direct communication with the author.
PHILOSOPHY AND METHODOLOGY
3. HOW WE TACKLE THE TASK TOGETHER
  • Unified Center of Responsibility
    I oversee the overall concept, the underlying meaning, and the final quality. You deal with a single person who is responsible for the entire result.
  • From Idea to Strategy, from Creation to Release
    We cover the entire cycle: from positioning, scripting, and architecture to the finished website, media content, and market launch.
  • Managed Production
    If necessary, I personally participate in filming and creating content, but my main focus is producing and project architecture, and not the 24/7 routine.
IMPLEMENTATION TOOLS
4. AREAS OF WORK UNDER YOUR LEADERSHIP
  • Strategy and Marketing
    Brand positioning, development of funnel logic, and launch architecture for audience acquisition.
  • Media and Production
    Video, audio, scripts, copy, and brand identity—years of background and experience in media creation.
  • IT and Automation
    Launching web platforms, integrating digital ecosystems and AI pipelines to speed up assembly.
PRINCIPLES AND APPROACH
5. HOW I THINK AND MAKE DECISIONS
  • Control Instead of Running
    Projects fail not because of weak content, but because of the lack of a unified management center. The concept is more fundamental than the camera model.
  • A System, not One-off Tasks
    I refuse one-time tasks “make one video for us” in favor of building a long-term project and product architecture.
  • Tools are subordinate to the goal.
    AI, marketing, code, and production are merely subordinate elements. What matters most is precise calculation and an understanding of the business objective.

Education and Professional Development

  • International Independent University of Environmental and Political Sciences (IIUEPS) • 2007
    Faculty of World Economy, Management, Finance and Service.
    Organization Management.
    DIPLOMA
  • Russian State Academy of Intellectual Property (RSAIP) • 2021
    Copyright and related rights in the music industry.
    IDENTIFICATION
  • Innovators Academy of the Moscow Innovation Cluster (Department of Entrepreneurship and Innovative Development) • 2022
    A program of the Moscow Department of Entrepreneurship and Innovative Development.
    CERTIFICATE
  • Scientific and Educational Center for Intellectual Property and Digital Economy (DIP Global) • 2022-2023
    Copyright and intellectual property in creative industries.
    IDENTIFICATIONS: 1 - 2 - 3 - 4
  • Media Technology Laboratory, Skolkovo Creative Cluster (MIC Foundation) • 2026
    A practical program for startup founders, producers, and developers of media-tech solutions.
    CERTIFICATE
Presentation (.pdf) (RU) CV (.pdf) (RU)

PUBLICATIONS AND MEDIA PLACEMENT

News Hook → Media → Trust

I help to package the meanings into an information feed and bring the project to the media space: press, television, radio and online media.

Publication works as a tool for reputation and trust.

My Publications in the Press
Participation in clusters and professional communities
  • Member of the Register of Creative Industries Entities (ACI).
  • Resident of the Moscow Innovation Cluster of the Department of Entrepreneurship and Innovative Development of Moscow (MIC).
  • Partner of the National Register of Intellectual Property.
  • Product placed on the Innovative Solutions Map.
  • Member of the All-Russian Movement of Entrepreneurs.
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